
Vol. 1 Immersionwith Tarwater, Laetitia Sadier, Ulrich Schnauss, Scanner
Nanocluster Vol 1. is an album with some serious pedigree. It sees Immersion (aka Malka Spigel and Colin Newman of influential groups Minimal Compact and Wire respectively) collaborating with some of the finest left field artists of our era: Tarwater, Laetitia Sadier, Ulrich Schnauss and Scanner. The project was born out of a Brighton based club night, also called Nanocluster, run by Spigel and Newman alongside writer, broadcaster and DJ Graham Duff, and promoter Andy Rossiter. The club features a range of influential and cutting edge music acts. But the unique aspect of the evenings is that each show climaxes with a one off collaboration between Immersion and the headliners. The songs having been written and recorded in the studio in just three days prior to the performance - or one day in the case of Schnauss. âIt could have just been a series of performances.â Says Newman.
 âBut the fact that we had built the tracks in the studio for the performances means we had these recordings.â Says Spigel. The recordings have since been developed with Immersion heading up pro- duction duties. The result is a beautiful and unique album.
 âI think the really interesting thing is how different everybody is,â says Spigel. âBoth as people and creatively.âÂ
Immersion and TarwaterÂ
The German duo of Ronald Lippok and Bernd Jestram have created an impressive body of work. Yet their involvement with Immersion has opened out their sound, creating a more panoramic soundscape. The opening instrumental âRipplesâ is a gentle breathe of optimism, all purring tones and sun dazzled synths. Meanwhile, âMrs. Woodâ is a dubby psychedelic shuffle, Lippokâs vocal cool and assured over a fat bass line and skybound eastern melodics. It feels like a more spacious take on the Tarwater of albums such as âSuns, Animals and Atomsâ. The four musiciansâ 3rd collaboration is Nanoclusterâs most pop moment: with a heartfelt yet unsentimental lyric unfurling over feline rhythms, âAll You Cat Loversâ is a feel-good anthem for cat lovers everywhere.
Immersion and Laetitia SadierÂ
An original and distinctive presence in contemporary music, Sadier made her name with the inimitable Stereolab, but sheâs also created several impressive solo works. The instrumental âUnclusteredâ sees Sadierâs spidery guitar weaving through Immersionâs lush web of synths drones. The following âUncensoredâ has a subtle melodic tug with a classic Spigel guitar line underpinning Sadierâs sweet yet worldly wise vocal. âRiding the Waveâ is another feel good song, swapping between Newmanâs plaintive vocal, and Spigelâs vocal and Sadierâs backing vocals. With its uplifting chorus: âThings have a way of working outâ âRiding The Waveâ feels like it might be the sound of the summer weâve all been waiting for.
Immersion & Ulrich SchnaussÂ
A highly respected solo artist, as well as being a member of Tangerine Dream, Schnaussâ skill with electronics is legendary.Â
The opening âRemember Those Days On The Roadâ skips along on a rimshot rhythm with Spigelâs honeyed vocal telling a tale of life on tour. Yet it is far removed from such usual fare. This feels vulnerable and flecked with melancholy. âSkylarksâ opens with a lattice of arpeggios before a gently nag- ging guitar enters and everything takes a turn for the sublime. âSo Much Greenâ is everything youâd hope a collaboration between Newman, Spigel and Schnauss could be. A constantly spiralling urban-kosmisch, with Spigelâs plangent bass anchoring the celestial sounds. The addition of her wordless backing vocals and recordings of real birdsong only serve to elevate the mood further.
Immersion & ScannerÂ
Scanner - aka Robin Rimbaud - is one of the most prolific and diverse artists currently working in contemporary music. Spigel and Newman have of course collaborated extensively with Rimbaud before: alongside Max Franken in the art-pop group Githead. But this is something very different. Their opening piece together: âCatalizâ is the albumâs moodiest moment. With its serpentine synth drones it sounds like the soundtrack to a mysterious thriller. The rich pulsing âMetrosphereâ recalls Immersionâs early work whilst adding another layer of grainy uncertainty. The closing âThe Mundane and the Profoundâ opens with a âRimbaud scannedâ recording of an irritated flight attendant but this is eventually subsumed by a simple yet emotive piano figure: a gentle and touching end to a unique collection of songs.
Nanocluster Vol.1 is a testament to a remarkable synergy between a diverse assembly of strongly individual talents. The fact that it not only succeeds, but excels should be cause for celebration.Â
Tracklist
Immersion, Tarwater. 1. Ripples // 2. Mrs. Wood // 3. All You Cat LoversÂ
Immersion, Laetitia Sadier. 4. Unclustered // 5. Uncencored // 6. Riding The WaveÂ
Immersion, Ulrich Schnauss. 7. Remember Those Days On The Road // 8. Skylarks // 9. So Much GreenÂ
Immersion, Scanner. 10. Cataliz // 11. Metrosphere // 12. The Mundane And The Profound
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Description
Nanocluster Vol 1. is an album with some serious pedigree. It sees Immersion (aka Malka Spigel and Colin Newman of influential groups Minimal Compact and Wire respectively) collaborating with some of the finest left field artists of our era: Tarwater, Laetitia Sadier, Ulrich Schnauss and Scanner. The project was born out of a Brighton based club night, also called Nanocluster, run by Spigel and Newman alongside writer, broadcaster and DJ Graham Duff, and promoter Andy Rossiter. The club features a range of influential and cutting edge music acts. But the unique aspect of the evenings is that each show climaxes with a one off collaboration between Immersion and the headliners. The songs having been written and recorded in the studio in just three days prior to the performance - or one day in the case of Schnauss. âIt could have just been a series of performances.â Says Newman.
 âBut the fact that we had built the tracks in the studio for the performances means we had these recordings.â Says Spigel. The recordings have since been developed with Immersion heading up pro- duction duties. The result is a beautiful and unique album.
 âI think the really interesting thing is how different everybody is,â says Spigel. âBoth as people and creatively.âÂ
Immersion and TarwaterÂ
The German duo of Ronald Lippok and Bernd Jestram have created an impressive body of work. Yet their involvement with Immersion has opened out their sound, creating a more panoramic soundscape. The opening instrumental âRipplesâ is a gentle breathe of optimism, all purring tones and sun dazzled synths. Meanwhile, âMrs. Woodâ is a dubby psychedelic shuffle, Lippokâs vocal cool and assured over a fat bass line and skybound eastern melodics. It feels like a more spacious take on the Tarwater of albums such as âSuns, Animals and Atomsâ. The four musiciansâ 3rd collaboration is Nanoclusterâs most pop moment: with a heartfelt yet unsentimental lyric unfurling over feline rhythms, âAll You Cat Loversâ is a feel-good anthem for cat lovers everywhere.
Immersion and Laetitia SadierÂ
An original and distinctive presence in contemporary music, Sadier made her name with the inimitable Stereolab, but sheâs also created several impressive solo works. The instrumental âUnclusteredâ sees Sadierâs spidery guitar weaving through Immersionâs lush web of synths drones. The following âUncensoredâ has a subtle melodic tug with a classic Spigel guitar line underpinning Sadierâs sweet yet worldly wise vocal. âRiding the Waveâ is another feel good song, swapping between Newmanâs plaintive vocal, and Spigelâs vocal and Sadierâs backing vocals. With its uplifting chorus: âThings have a way of working outâ âRiding The Waveâ feels like it might be the sound of the summer weâve all been waiting for.
Immersion & Ulrich SchnaussÂ
A highly respected solo artist, as well as being a member of Tangerine Dream, Schnaussâ skill with electronics is legendary.Â
The opening âRemember Those Days On The Roadâ skips along on a rimshot rhythm with Spigelâs honeyed vocal telling a tale of life on tour. Yet it is far removed from such usual fare. This feels vulnerable and flecked with melancholy. âSkylarksâ opens with a lattice of arpeggios before a gently nag- ging guitar enters and everything takes a turn for the sublime. âSo Much Greenâ is everything youâd hope a collaboration between Newman, Spigel and Schnauss could be. A constantly spiralling urban-kosmisch, with Spigelâs plangent bass anchoring the celestial sounds. The addition of her wordless backing vocals and recordings of real birdsong only serve to elevate the mood further.
Immersion & ScannerÂ
Scanner - aka Robin Rimbaud - is one of the most prolific and diverse artists currently working in contemporary music. Spigel and Newman have of course collaborated extensively with Rimbaud before: alongside Max Franken in the art-pop group Githead. But this is something very different. Their opening piece together: âCatalizâ is the albumâs moodiest moment. With its serpentine synth drones it sounds like the soundtrack to a mysterious thriller. The rich pulsing âMetrosphereâ recalls Immersionâs early work whilst adding another layer of grainy uncertainty. The closing âThe Mundane and the Profoundâ opens with a âRimbaud scannedâ recording of an irritated flight attendant but this is eventually subsumed by a simple yet emotive piano figure: a gentle and touching end to a unique collection of songs.
Nanocluster Vol.1 is a testament to a remarkable synergy between a diverse assembly of strongly individual talents. The fact that it not only succeeds, but excels should be cause for celebration.Â
Tracklist
Immersion, Tarwater. 1. Ripples // 2. Mrs. Wood // 3. All You Cat LoversÂ
Immersion, Laetitia Sadier. 4. Unclustered // 5. Uncencored // 6. Riding The WaveÂ
Immersion, Ulrich Schnauss. 7. Remember Those Days On The Road // 8. Skylarks // 9. So Much GreenÂ
Immersion, Scanner. 10. Cataliz // 11. Metrosphere // 12. The Mundane And The Profound









