
Phil's Spectre - A Wall Of Soundalikes
Product Info
A dozen first-rate examples of Spectorâs influence. Pressed on 180g red vinyl, with fully illustrated track commentary on inner bag.
Phil Spector did not produce any of the tracks on this album. They all just sound as if he might have. Given Spectorâs great success recording the Crystals, Darlene Love, the Ronettes, Bob B Soxx & the Blue Jeans and the Righteous Brothers for his Philles label between 1962 and 1965, it was inevitable his distinctive sound would be emulated by other producers, frequently those from within his orbit.
Super-dramatic blue-eyed soul opener âWho Am Iâ by Jerry Ganey, for example, was produced by Bill Medley of the Righteous Brothers, not long after Medley had freed himself from his contract with Spector, proving he could hold his own against his former boss. âWishful Thinkingâ, a not dissimilar opus by the Knickerbockers, was produced by Wrecking Crew keyboard ace Leon Russell, a regular participant in Spector sessions. Long-time Spector buddy Nino Tempo, sax player on many Philles recordings, is represented with âAll Strung Outâ, a duet with his sister April Stevens, and âWhy Canât A Boy And Girl Just Stay In Loveâ, a breathy Paris Sisters-style number by actress Noreen Corcoran. The latter, by the way, is the only track here not featured on our âPhilâs Spectreâ CD series.
Elsewhere, never did a guy sound more like a Ronette than Johnny Caswell does on âMy Girlâ, âGood-Bye Babyâ by Maureen Gray â also written and produced by the John Madara and David White team â shows someone had been playing close attention to Darlene Loveâs âChristmas (Baby, Please Come Home)â, Timmy & the Persianettes give the Bob B Soxx treatment to âTimmy Boyâ and Lorraine & the Delights sound like the Ronettes meet Madam Butterfly on âI Just Couldnât Sayâ. Top-notch decks by Bobby Coleman, Kane & Abel, Dorothy Berry and Dan Folger complete the collection. All in all, youâd be hard pressed to found a dozen better examples of Spectorâs influence.
Tracklist
A1 Jerry Ganeyâ Who Am I
A2 Johnny Caswellâ My Girl
A3 Bobby Coleman â (Baby) You Don't Have To Tell Me
A4 Maureen Grayâ Good-Bye Baby
A5 Kane & Abel â He Will Break Your Heart
A6 Dorothy Berryâ You're So Fine
B1 Nino Tempo & April Stevensâ All Strung Out
B2 Dan Folgerâ The Way Of The Crowd
B3 Timmy & The Persianettesâ Timmy Boy
B4 The Knickerbockersâ Wishful Thinking
B5 Lorraine & The Delightsâ I Just Couldn't Say
B6 Noreen Corcoranâ Why Can't A Boy And Girl Just Stay In Love
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Product Info
A dozen first-rate examples of Spectorâs influence. Pressed on 180g red vinyl, with fully illustrated track commentary on inner bag.
Phil Spector did not produce any of the tracks on this album. They all just sound as if he might have. Given Spectorâs great success recording the Crystals, Darlene Love, the Ronettes, Bob B Soxx & the Blue Jeans and the Righteous Brothers for his Philles label between 1962 and 1965, it was inevitable his distinctive sound would be emulated by other producers, frequently those from within his orbit.
Super-dramatic blue-eyed soul opener âWho Am Iâ by Jerry Ganey, for example, was produced by Bill Medley of the Righteous Brothers, not long after Medley had freed himself from his contract with Spector, proving he could hold his own against his former boss. âWishful Thinkingâ, a not dissimilar opus by the Knickerbockers, was produced by Wrecking Crew keyboard ace Leon Russell, a regular participant in Spector sessions. Long-time Spector buddy Nino Tempo, sax player on many Philles recordings, is represented with âAll Strung Outâ, a duet with his sister April Stevens, and âWhy Canât A Boy And Girl Just Stay In Loveâ, a breathy Paris Sisters-style number by actress Noreen Corcoran. The latter, by the way, is the only track here not featured on our âPhilâs Spectreâ CD series.
Elsewhere, never did a guy sound more like a Ronette than Johnny Caswell does on âMy Girlâ, âGood-Bye Babyâ by Maureen Gray â also written and produced by the John Madara and David White team â shows someone had been playing close attention to Darlene Loveâs âChristmas (Baby, Please Come Home)â, Timmy & the Persianettes give the Bob B Soxx treatment to âTimmy Boyâ and Lorraine & the Delights sound like the Ronettes meet Madam Butterfly on âI Just Couldnât Sayâ. Top-notch decks by Bobby Coleman, Kane & Abel, Dorothy Berry and Dan Folger complete the collection. All in all, youâd be hard pressed to found a dozen better examples of Spectorâs influence.
Tracklist
A1 Jerry Ganeyâ Who Am I
A2 Johnny Caswellâ My Girl
A3 Bobby Coleman â (Baby) You Don't Have To Tell Me
A4 Maureen Grayâ Good-Bye Baby
A5 Kane & Abel â He Will Break Your Heart
A6 Dorothy Berryâ You're So Fine
B1 Nino Tempo & April Stevensâ All Strung Out
B2 Dan Folgerâ The Way Of The Crowd
B3 Timmy & The Persianettesâ Timmy Boy
B4 The Knickerbockersâ Wishful Thinking
B5 Lorraine & The Delightsâ I Just Couldn't Say
B6 Noreen Corcoranâ Why Can't A Boy And Girl Just Stay In Love












