
Bless You California
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Following on from the success of âOn Vine Streetâ, Aceâs first collection of compositions by Randy Newman, comes âBless You Californiaâ. As with the previous volume, the focus is primarily on Newmanâs early work for Metric Music, and once again thereâs a diverse array of classics, near-misses and obscurities on offer here. Listening to the emerging talent of one of the worldâs most gifted songwriters makes for a fascinating 67 minutes.
It was during his tenure at Metric in the 1960s that Randy honed his writing skills. Thereâs clearly a brain ticking away here. Randy was still finding his songwriting niche and testing the musical waters by trying his hand at a wide range of genres. From soul ballads (Irma Thomasâ reading of âAnyone Who Knows What Love Isâ) to widescreen Americana (âIllinoisâ from the Everly Brothersâ outstanding âRootsâ LP), to the charming pre-rock innocence of the Fleetwoods (âAsk Him If Heâs Got A Friend For Meâ), to the character sketches for which he would later achieve fame and notoriety (Duffy Powerâs â(Davy OâBrien) Leave That Baby Aloneâ), you could never say Newman was stuck in a rut. Thereâs even a cocktail jazz instrumental in Martin Dennyâs âScarlet Mistâ â a new one to me, and a recording which maybe explains Randyâs brief spell writing for the TV Music Library at 20th Century Fox (or maybe it was the influence of his soundtrack-composing uncle Alfred, who penned the immortal Fox fanfare ident).
In spite of this almost scattershot approach (âwell, that didnât work, letâs try thisâ), from the evidence here itâs possible to trace the emergence of one of the most idiosyncratic singer-songwriters of the 1970s. While the style-hopping may imply a certain lack of self-confidence, once Randy had found his lyrical voice (apparently with âSimon Smith And The Amazing Dancing Bearâ, included on âOn Vine Streetâ), he was off and running. The sardonic pops at society wrapped up in âThe Debutanteâs Ballâ (performed here by Liza Minnelli) and âBless You Californiaâ (the Beau Brummels) present a world-view unlike any other songwriter from the era. Still, even at this stage in his career he could turn his hand to a ballad as impossibly tender as âSnowâ, perfectly suited to the none-more-fragile voice of Claudine Longet.
Other highlights include Alan Priceâs delightful and chortlesome near-throwaway âTickle Meâ and Harry Nilssonâs breathtaking performance of âCowboyâ, culled from his âNilsson Sings Newmanâ album and featuring one of the most resigned, world-weary vocals ever committed to tape. From the ridiculous to the sublime and all points between; this terrific collection is not just for Newman scholars, but stands as a perfect introduction to a unique talent. Any chance of a third volume?
Tracklist
01 Anyone Who Knows What Love Is (Will Understand) - Irma Thomas
02 Davy O'Brien (Leave That Baby Alone) - Duffy Power
03 Let's Burn Down The Cornfield - Lou Rawls
04 Tickle Me - The Alan Price Set
05 Hold Your Head High - Jackie DeShannon
06 Bet No One Ever Hurt This Bad - Linda Ronstadt
07 Scarlet Mist - Martin Denny
08 I Got Over You - Dick Lory
09 Leave Me Alone - Peggy March
10 Ask Him If He's Got A Friend For Me - The Fleetwoods
11 Look At Me - Bobby Darin
12 Twenty Acres Of Land - Johnny Shepard
13 What Are You Waiting For - We Talkies
14 There's Just No Pleasing You - The Epics
15 Illinois - The Everly Brothers
16 Wait Till Next Year - Eric Burdon & The Animals
17 The Debutante's Ball - Liza Minnelli
18 Happyland - Harpers Bizarre
19 Straight Up - P.J. Proby
20 She'll Never Understand Him (Like I Do) - Connie Stevens
21 Cowboy - Nilsson
22 I Wonder Why - Ella Fitzgerald
23 Let Me Go - The Box Tops
24 Snow - Claudine Longet
25 Beehive State - The Doobie Brothers
26 Bless You California - The Beau Brummels
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Following on from the success of âOn Vine Streetâ, Aceâs first collection of compositions by Randy Newman, comes âBless You Californiaâ. As with the previous volume, the focus is primarily on Newmanâs early work for Metric Music, and once again thereâs a diverse array of classics, near-misses and obscurities on offer here. Listening to the emerging talent of one of the worldâs most gifted songwriters makes for a fascinating 67 minutes.
It was during his tenure at Metric in the 1960s that Randy honed his writing skills. Thereâs clearly a brain ticking away here. Randy was still finding his songwriting niche and testing the musical waters by trying his hand at a wide range of genres. From soul ballads (Irma Thomasâ reading of âAnyone Who Knows What Love Isâ) to widescreen Americana (âIllinoisâ from the Everly Brothersâ outstanding âRootsâ LP), to the charming pre-rock innocence of the Fleetwoods (âAsk Him If Heâs Got A Friend For Meâ), to the character sketches for which he would later achieve fame and notoriety (Duffy Powerâs â(Davy OâBrien) Leave That Baby Aloneâ), you could never say Newman was stuck in a rut. Thereâs even a cocktail jazz instrumental in Martin Dennyâs âScarlet Mistâ â a new one to me, and a recording which maybe explains Randyâs brief spell writing for the TV Music Library at 20th Century Fox (or maybe it was the influence of his soundtrack-composing uncle Alfred, who penned the immortal Fox fanfare ident).
In spite of this almost scattershot approach (âwell, that didnât work, letâs try thisâ), from the evidence here itâs possible to trace the emergence of one of the most idiosyncratic singer-songwriters of the 1970s. While the style-hopping may imply a certain lack of self-confidence, once Randy had found his lyrical voice (apparently with âSimon Smith And The Amazing Dancing Bearâ, included on âOn Vine Streetâ), he was off and running. The sardonic pops at society wrapped up in âThe Debutanteâs Ballâ (performed here by Liza Minnelli) and âBless You Californiaâ (the Beau Brummels) present a world-view unlike any other songwriter from the era. Still, even at this stage in his career he could turn his hand to a ballad as impossibly tender as âSnowâ, perfectly suited to the none-more-fragile voice of Claudine Longet.
Other highlights include Alan Priceâs delightful and chortlesome near-throwaway âTickle Meâ and Harry Nilssonâs breathtaking performance of âCowboyâ, culled from his âNilsson Sings Newmanâ album and featuring one of the most resigned, world-weary vocals ever committed to tape. From the ridiculous to the sublime and all points between; this terrific collection is not just for Newman scholars, but stands as a perfect introduction to a unique talent. Any chance of a third volume?
Tracklist
01 Anyone Who Knows What Love Is (Will Understand) - Irma Thomas
02 Davy O'Brien (Leave That Baby Alone) - Duffy Power
03 Let's Burn Down The Cornfield - Lou Rawls
04 Tickle Me - The Alan Price Set
05 Hold Your Head High - Jackie DeShannon
06 Bet No One Ever Hurt This Bad - Linda Ronstadt
07 Scarlet Mist - Martin Denny
08 I Got Over You - Dick Lory
09 Leave Me Alone - Peggy March
10 Ask Him If He's Got A Friend For Me - The Fleetwoods
11 Look At Me - Bobby Darin
12 Twenty Acres Of Land - Johnny Shepard
13 What Are You Waiting For - We Talkies
14 There's Just No Pleasing You - The Epics
15 Illinois - The Everly Brothers
16 Wait Till Next Year - Eric Burdon & The Animals
17 The Debutante's Ball - Liza Minnelli
18 Happyland - Harpers Bizarre
19 Straight Up - P.J. Proby
20 She'll Never Understand Him (Like I Do) - Connie Stevens
21 Cowboy - Nilsson
22 I Wonder Why - Ella Fitzgerald
23 Let Me Go - The Box Tops
24 Snow - Claudine Longet
25 Beehive State - The Doobie Brothers
26 Bless You California - The Beau Brummels












