
The Nearest Door
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D&V were a duo formed in Sheffield by Andy Leach on drums and Jef Antcliffe on vocals. The group released their first EP âThe Nearest Doorâ on Crass Records. With Penny Rimbaud as producer, their musical simplicity was combined with uncompromising avant-gardism to achieve new heights. The group would go on to release a second album in 1984 entitled âInspiration Gave Them Motivation To Move On Out Of Their Isolationâ with a more refined sound and additional vocals by Crass' Eve Libertine and Joy de Vivre.
Penny Rimbaud tells us; âD&V are so named because they turned up to play at the now legendary squat gig of 1982 at the Zig Zag Club in North London. At that time, they didnât have a moniker, so they were chalked up on the dayâs order of play as D&V (drums and vocals) because thatâs what they were and thatâs how they remained. Simple and to the point, they were precursors to rap which later both rhythmically and vocally came to mirror their fierce rhetoric. A northern band with streetwise sentiments, they spoke loud and clear of disenfranchisement (call it slavery) and the vicious class system which created it. From street to stormy skies, D&V were on the up, and hard rains began to fall.â
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.â
Tracklist
1. Jekyll and Hyde 01:16
2. Wake Up
3. High Above The Crowd
4. Todayâs Conclusion
5. Step Inside
6. Dignity
7. S21PN
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Description
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D&V were a duo formed in Sheffield by Andy Leach on drums and Jef Antcliffe on vocals. The group released their first EP âThe Nearest Doorâ on Crass Records. With Penny Rimbaud as producer, their musical simplicity was combined with uncompromising avant-gardism to achieve new heights. The group would go on to release a second album in 1984 entitled âInspiration Gave Them Motivation To Move On Out Of Their Isolationâ with a more refined sound and additional vocals by Crass' Eve Libertine and Joy de Vivre.
Penny Rimbaud tells us; âD&V are so named because they turned up to play at the now legendary squat gig of 1982 at the Zig Zag Club in North London. At that time, they didnât have a moniker, so they were chalked up on the dayâs order of play as D&V (drums and vocals) because thatâs what they were and thatâs how they remained. Simple and to the point, they were precursors to rap which later both rhythmically and vocally came to mirror their fierce rhetoric. A northern band with streetwise sentiments, they spoke loud and clear of disenfranchisement (call it slavery) and the vicious class system which created it. From street to stormy skies, D&V were on the up, and hard rains began to fall.â
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.â
Tracklist
1. Jekyll and Hyde 01:16
2. Wake Up
3. High Above The Crowd
4. Todayâs Conclusion
5. Step Inside
6. Dignity
7. S21PN









