

Plastic Culture
Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; âMulti-Death Corporationsâ by MDC and âPlastic Cultureâ by Hit Parade.Â
Hit Parade was a one-man anarchist band, the brainchild of Dave Hyndman (aka P. Checkoff and Rik Oâche) a member of the Anarchist Collective in Belfast. Being a left-wing socialist, Checkoffâs songs were highly political by nature and concentrated on life in Northern Ireland. Subject matter ranged from the evils of television to H Blocks; the RUC to housing problems, and of course unemployment.Â
Penny continues; âHit Parade was one troubled manâs attempt to deal with and describe the âtroublesâ that surrounded him in Belfast where he lived with family, friends and comrades. In the seventies and eighties, divided Ireland was never far from the distortions of the UKâs daily headlines, all of which toeing the predictable Protestant party line. Meanwhile, Hit Parade had to suffer the daily indignities of military oppression and religious bigotry. Shouting out from a wilderness of human stupidity, Hit Parade looked to put the record straight from the trenches; one manâs voice touching the multitude. Listen and learn. Itâs still going on and on and onâŠâÂ
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.âÂ
In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crassâ classic line, âThere is no authority but yourselfâ, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while â2 By 2 And Back Againâ seems to nail it â âget out of your own way, weâre all in this togetherâ.Â
Tracklist
Product of the Troubles
Media Song
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Description
Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; âMulti-Death Corporationsâ by MDC and âPlastic Cultureâ by Hit Parade.Â
Hit Parade was a one-man anarchist band, the brainchild of Dave Hyndman (aka P. Checkoff and Rik Oâche) a member of the Anarchist Collective in Belfast. Being a left-wing socialist, Checkoffâs songs were highly political by nature and concentrated on life in Northern Ireland. Subject matter ranged from the evils of television to H Blocks; the RUC to housing problems, and of course unemployment.Â
Penny continues; âHit Parade was one troubled manâs attempt to deal with and describe the âtroublesâ that surrounded him in Belfast where he lived with family, friends and comrades. In the seventies and eighties, divided Ireland was never far from the distortions of the UKâs daily headlines, all of which toeing the predictable Protestant party line. Meanwhile, Hit Parade had to suffer the daily indignities of military oppression and religious bigotry. Shouting out from a wilderness of human stupidity, Hit Parade looked to put the record straight from the trenches; one manâs voice touching the multitude. Listen and learn. Itâs still going on and on and onâŠâÂ
Penny finally notes that âOur (Crassâ) interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasnât a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference â rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.âÂ
In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crassâ classic line, âThere is no authority but yourselfâ, makes its point. Crass sought to empower others, and the output of Crass Records does much to confirm this, while â2 By 2 And Back Againâ seems to nail it â âget out of your own way, weâre all in this togetherâ.Â
Tracklist
Product of the Troubles
Media Song









