
Mary & George (Original Series Soundtrack)
Preeminent cellist / composer Oliver Coates follows his scores for âAftersunâ and âFoeâ with a stately string and electronic orchestration for Tudor and Stuart-era period drama âMary & Georgeâ. Coateâs score draws on his roots in classical, electronic and club music to accompany an adaptation of the non-fiction book âThe Kingâs Assassinâ by Benjamin Woolley, which outlines the romantic affair between King James VI and I and George Villiers, 1st Duke of Buckingham.
The score sees Coates reaching for a suitably lavish palette of strings, from symphonic to puckered chamber arrangements, sometimes underlined with Burial-esque beats and choral pads, as in âFranceâ, or alloying the two in a way recalling Nicholas Britellâs âSuccessionâ soundtrack. Thereâs enough harpsichord to make the ruffed-necks swoon, and Coates takes the license to distort sounds to taste when necessary, resulting a clear highpoint in his work, both solo and for film.
Tracklist
Side One
1. Timp X
2. G In Motion
3. âHowl & Freezeâ
4. âHuntâ
5. âThe Centre Of The Universeâ
6. âPulpâ
7. â1 Minute 1 Lifeâ
8. âFranceâ
9. âJoyâ
10. â Two Weeksâ
11. âHow We Riseâ
Side Two
1. âSCARSâ
2. âHauntâ
3. âSlayâ
4. âPresent Dangerâ
5. âMary Chopperâ
6. âRelease An Angelâ
7. âPig Mobâ
8. âButoh Baby 2â
9. âLa Badinage Marias with outside sustainâ
10. âBurningâ
11. âAndrogyny, lie in bedâ
12. âRegicideâ
13. âHe Shall Ascendâ
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Description
Preeminent cellist / composer Oliver Coates follows his scores for âAftersunâ and âFoeâ with a stately string and electronic orchestration for Tudor and Stuart-era period drama âMary & Georgeâ. Coateâs score draws on his roots in classical, electronic and club music to accompany an adaptation of the non-fiction book âThe Kingâs Assassinâ by Benjamin Woolley, which outlines the romantic affair between King James VI and I and George Villiers, 1st Duke of Buckingham.
The score sees Coates reaching for a suitably lavish palette of strings, from symphonic to puckered chamber arrangements, sometimes underlined with Burial-esque beats and choral pads, as in âFranceâ, or alloying the two in a way recalling Nicholas Britellâs âSuccessionâ soundtrack. Thereâs enough harpsichord to make the ruffed-necks swoon, and Coates takes the license to distort sounds to taste when necessary, resulting a clear highpoint in his work, both solo and for film.
Tracklist
Side One
1. Timp X
2. G In Motion
3. âHowl & Freezeâ
4. âHuntâ
5. âThe Centre Of The Universeâ
6. âPulpâ
7. â1 Minute 1 Lifeâ
8. âFranceâ
9. âJoyâ
10. â Two Weeksâ
11. âHow We Riseâ
Side Two
1. âSCARSâ
2. âHauntâ
3. âSlayâ
4. âPresent Dangerâ
5. âMary Chopperâ
6. âRelease An Angelâ
7. âPig Mobâ
8. âButoh Baby 2â
9. âLa Badinage Marias with outside sustainâ
10. âBurningâ
11. âAndrogyny, lie in bedâ
12. âRegicideâ
13. âHe Shall Ascendâ









