


In the End It Always Does
With the announcement comes new track âSad to Breatheâ, an upbeat sounding heartbreaker co-produced by TJHâs Amber Bain with The 1975âs George Daniel and Chloe Kraemer accompanied by a beautiful live alternate version of the track directed by Sheila Johansson which sees Amber and her extended live band strip the track back to its bare bones.
âI wrote Sad To Breathe some time ago, itâs one of the oldest songs on the record.â tells Amber. âIt was very different back then; itâs gone from being solely electronic to what it is now, mostly live/ acoustic instrumentation. Itâs about that desperate feeling when someone leaves you and the disbelief that they could. Itâs funny you could have those kind of insane dramatic thoughts, that feel so real at the time, but can by some miracle look back in fondness to your entire life being ruined. It all circles back around.â
Four years after her widely celebrated debut Good at Falling, this album sees Bain lean even further into the pop realmâwith help from Matty Healy and George Daniel from The 1975, Katie Gavin from MUNA and Bon Iverâs Justin Vernon among others. Bain credits Gavin especially with injecting her with creative energy and inspiration throughout.
The album also sees Bain work alongside producer and engineer Chloe Kraemer (Rex Orange County, Lava La Rue, Glass Animals), an experience she describes as âlife changingâ due to the unspoken, shared understanding between marginalised genders in a creative space.
âIâd never worked with a woman or queer person [in that way] before,â Bain says. âItâs nice to have someone who completely understands your standpoint and shared experience. Also, I say âsheâ in every song... so itâs important that someone understands that.â
Tracklist
1. Spot Dog
2. Touching Yourself
3. Sad to Breathe
4. Over There
5. Morning Pages
6. Boyhood
7. Indexical reminder of a morning well spent
8. Friends
9. Sunshine Baby
10. Baby goes again
11. You always get what you want
12. One for sorrow, two for Joni Jones
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
With the announcement comes new track âSad to Breatheâ, an upbeat sounding heartbreaker co-produced by TJHâs Amber Bain with The 1975âs George Daniel and Chloe Kraemer accompanied by a beautiful live alternate version of the track directed by Sheila Johansson which sees Amber and her extended live band strip the track back to its bare bones.
âI wrote Sad To Breathe some time ago, itâs one of the oldest songs on the record.â tells Amber. âIt was very different back then; itâs gone from being solely electronic to what it is now, mostly live/ acoustic instrumentation. Itâs about that desperate feeling when someone leaves you and the disbelief that they could. Itâs funny you could have those kind of insane dramatic thoughts, that feel so real at the time, but can by some miracle look back in fondness to your entire life being ruined. It all circles back around.â
Four years after her widely celebrated debut Good at Falling, this album sees Bain lean even further into the pop realmâwith help from Matty Healy and George Daniel from The 1975, Katie Gavin from MUNA and Bon Iverâs Justin Vernon among others. Bain credits Gavin especially with injecting her with creative energy and inspiration throughout.
The album also sees Bain work alongside producer and engineer Chloe Kraemer (Rex Orange County, Lava La Rue, Glass Animals), an experience she describes as âlife changingâ due to the unspoken, shared understanding between marginalised genders in a creative space.
âIâd never worked with a woman or queer person [in that way] before,â Bain says. âItâs nice to have someone who completely understands your standpoint and shared experience. Also, I say âsheâ in every song... so itâs important that someone understands that.â
Tracklist
1. Spot Dog
2. Touching Yourself
3. Sad to Breathe
4. Over There
5. Morning Pages
6. Boyhood
7. Indexical reminder of a morning well spent
8. Friends
9. Sunshine Baby
10. Baby goes again
11. You always get what you want
12. One for sorrow, two for Joni Jones













