
In Brine
More Info
Limited repress of much anticipated debut album from this Leeds-based electronic duo, following high-profile UK festival slots, and shows alongside luminaries Sleaford Mods, The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz, The KVB, with multiple plays across BBC6/BBC Introducing and Amazing Radio, jellyskin are finally ready to unleash âIn Brineâ, their first full length release. The result of four years spent writing, recording, and refining the album between Leeds, Liverpool, Bristol, Palamos, and Berlin, âIn Brineâ showcases the many talents of Will Ainsley and Zia Larty-Healy in a work straddling iridescent electronica, tungsten-tipped techno, art pop, and queasy, brown acid folk.
The songs are pieced together with themes of longing, misadventure by the sea, desire and aquatic apparitions that showcase Larty-Healyâs warm but urgent vocal range, as at home around the campfire as it is in the club. The pairâs meticulous arrangement and rearrangement, sculpting, recording, and mixing was a glacially slow process of adaptation, mutation, cooperation, growth, and, yes, natural selection. First single âBringer of Brineâ thumps from the speaker anthemically and forcefully, pitched somewhere beautiful and uncanny; Larty-Healyâs vocals soar and skim off the production like a smooth stone across choppy waves.
The radio-ready pop electronica of âI Was The First Tetrapodâ bursts into the world with an urgency in line with the lyrics. An aquatic tale of crawling onto land for the first time, desperate to make new life forms, itâs also a positive, joyful rebuke to the despair of the world around us. âGrowing my legs...â. The fuzzed-out psychedelic keys and forward-moving, Knife-like structure echo throughout while beautiful lyrics detail visions of where this would all lead life as we know it- âI can run freely, white horse behind me. Flexing my bones and artery twine, find human tone and reach for the vine.â âFox Againâ opens with chopped alarm clocks segueing into a lurching rhythm, before exploding into skittering beats and a soaring chorus. The effect is like waking up drowsily, going over to the window in your room and yanking open the curtains to be blasted by searing sunshine.
The pair brought in Berlin based co-producer, mixer and masterer Lewis D-t to help finesse the tracks into fat-free hunks of ecstasy and sonic exploration, their rich depths marking âIn Brineâ as an album everyone should be talking about this summer and beyond-all nine tracks will have feet moving and hearts swelling in equal measure. As opening track âLift (Come In)â positively opines âGoing up!/Just want to keep going up!â. Itâs time to get in on the ground floor...
Tracklist
1.Lift (Come In)
2.Bringer of Brine
3.Fox Again
4.Chicken, Milk, and Oranges
5.Marmalade
6.I Was The First Tetrapod
7.Pulpy Mouth and Skin
8.52 Blue
9.PunnetÂ
Original: $24.46
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$8.56Product Information
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Description
More Info
Limited repress of much anticipated debut album from this Leeds-based electronic duo, following high-profile UK festival slots, and shows alongside luminaries Sleaford Mods, The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz, The KVB, with multiple plays across BBC6/BBC Introducing and Amazing Radio, jellyskin are finally ready to unleash âIn Brineâ, their first full length release. The result of four years spent writing, recording, and refining the album between Leeds, Liverpool, Bristol, Palamos, and Berlin, âIn Brineâ showcases the many talents of Will Ainsley and Zia Larty-Healy in a work straddling iridescent electronica, tungsten-tipped techno, art pop, and queasy, brown acid folk.
The songs are pieced together with themes of longing, misadventure by the sea, desire and aquatic apparitions that showcase Larty-Healyâs warm but urgent vocal range, as at home around the campfire as it is in the club. The pairâs meticulous arrangement and rearrangement, sculpting, recording, and mixing was a glacially slow process of adaptation, mutation, cooperation, growth, and, yes, natural selection. First single âBringer of Brineâ thumps from the speaker anthemically and forcefully, pitched somewhere beautiful and uncanny; Larty-Healyâs vocals soar and skim off the production like a smooth stone across choppy waves.
The radio-ready pop electronica of âI Was The First Tetrapodâ bursts into the world with an urgency in line with the lyrics. An aquatic tale of crawling onto land for the first time, desperate to make new life forms, itâs also a positive, joyful rebuke to the despair of the world around us. âGrowing my legs...â. The fuzzed-out psychedelic keys and forward-moving, Knife-like structure echo throughout while beautiful lyrics detail visions of where this would all lead life as we know it- âI can run freely, white horse behind me. Flexing my bones and artery twine, find human tone and reach for the vine.â âFox Againâ opens with chopped alarm clocks segueing into a lurching rhythm, before exploding into skittering beats and a soaring chorus. The effect is like waking up drowsily, going over to the window in your room and yanking open the curtains to be blasted by searing sunshine.
The pair brought in Berlin based co-producer, mixer and masterer Lewis D-t to help finesse the tracks into fat-free hunks of ecstasy and sonic exploration, their rich depths marking âIn Brineâ as an album everyone should be talking about this summer and beyond-all nine tracks will have feet moving and hearts swelling in equal measure. As opening track âLift (Come In)â positively opines âGoing up!/Just want to keep going up!â. Itâs time to get in on the ground floor...
Tracklist
1.Lift (Come In)
2.Bringer of Brine
3.Fox Again
4.Chicken, Milk, and Oranges
5.Marmalade
6.I Was The First Tetrapod
7.Pulpy Mouth and Skin
8.52 Blue
9.PunnetÂ









