


Divide and Exit (10th Anniversary Edition)
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Allying strong words and minimal electronics, Sleaford Modsâ second âproperâ album (or sixth if you go back through the early CD-R efforts) the self-released Divide and Exit was not only Andrew Fearn and Jason Williamsonâs most effective artistic expression to that point, it also truly captured the taste of a land souring by the day.
Fully remastered and set for a reissue through Rough Trade Records to mark the recordâs tenth anniversary.
This reissue offers a chance to fully appreciate a band hitting their artistic stride while acknowledging and commiserating that many of the dark forces that inspired its creation linger on. Once again though it is possible bathe in the hopeful anger that underpins Sleaford Modsâ blasts of outrage and electro.
âWhere our previous album Austerity Dogs barked a directionless yet solid form of anger, Divide and Exit then carried this basic form of class consciousness,â says Williamson of the vision behind the record, both musically and lyrically.Â
âAfter the release of Austerity Dogs we realised we had seemingly created a formula,â he adds. âAndrew just took the formula and ran with it and his music started to sound much more compact and urgent.â Â Â
âListening to it now, Divide and Exit is perhaps the most punk record we have done,â says Williamson, reflecting on how Sleaford Mods felt out ahead, covering fresh ground alone at the time, before going on to inspire a raft of post-punk-infused artists to follow their lead in the albumâs aftermath. âEach song falls out of the last like an extension or whatever. There wasnât anyone in the country doing what we were doing at that point, it feels like it was 30 years ago, but itâs only been 10. Mad as fuck.â
Tracklist
  Air Conditioning
  Tied Up in Nottz
  A Little Ditty
  You're Brave
  Strike Force
  The Corgi
  From Rags to Richards
  Liveable Shit
  Under the Plastic and N.T.C.
  Tiswas
  Keep Out of It
  Smithy
  Middle Men
  Tweet Tweet Tweet
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Description
More Info
Allying strong words and minimal electronics, Sleaford Modsâ second âproperâ album (or sixth if you go back through the early CD-R efforts) the self-released Divide and Exit was not only Andrew Fearn and Jason Williamsonâs most effective artistic expression to that point, it also truly captured the taste of a land souring by the day.
Fully remastered and set for a reissue through Rough Trade Records to mark the recordâs tenth anniversary.
This reissue offers a chance to fully appreciate a band hitting their artistic stride while acknowledging and commiserating that many of the dark forces that inspired its creation linger on. Once again though it is possible bathe in the hopeful anger that underpins Sleaford Modsâ blasts of outrage and electro.
âWhere our previous album Austerity Dogs barked a directionless yet solid form of anger, Divide and Exit then carried this basic form of class consciousness,â says Williamson of the vision behind the record, both musically and lyrically.Â
âAfter the release of Austerity Dogs we realised we had seemingly created a formula,â he adds. âAndrew just took the formula and ran with it and his music started to sound much more compact and urgent.â Â Â
âListening to it now, Divide and Exit is perhaps the most punk record we have done,â says Williamson, reflecting on how Sleaford Mods felt out ahead, covering fresh ground alone at the time, before going on to inspire a raft of post-punk-infused artists to follow their lead in the albumâs aftermath. âEach song falls out of the last like an extension or whatever. There wasnât anyone in the country doing what we were doing at that point, it feels like it was 30 years ago, but itâs only been 10. Mad as fuck.â
Tracklist
  Air Conditioning
  Tied Up in Nottz
  A Little Ditty
  You're Brave
  Strike Force
  The Corgi
  From Rags to Richards
  Liveable Shit
  Under the Plastic and N.T.C.
  Tiswas
  Keep Out of It
  Smithy
  Middle Men
  Tweet Tweet Tweet











