
Bleed Out
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Limited 2LP : Yellow Vinyl
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Maybe you are just like John Darnielle: In the depths of the pandemic end of 2020, the Mountain Goats frontman passed the time trapped at home watching pulpy action movies, finding comfort in familiar tropes and sofabound escapism. But you are not really like John Darnielle, unless the action movies you found comfort in included French thrillers like 2008âs Mesrine, vintage Italian poliziotteschi, or the 1974 Donald Pleasence mad-scientist vehicle The Freakmaker. Or unless watching them brought you back to your formative days as an artist, when watching films fueled and soundtracked your songwriting jags and bare-bones home recordings and in turn inspired your 20th album to be a song cycle about the allure and futility of vengeance. But thereâs no shame in not being like John Darnielle; few people are.
âOn earlier tapes youâll find these sound samples,â Darnielle says. ââOh, whereâs this sample from?â Itâs from whatever movie I was watching while I was sitting around on the couch with a guitar. I watch a movie, somebodyâd say something that I like the sound of and Iâll write that phrase down. And then I would pause the VHS, write the song, record the song on a boombox, and go back to watching my movie. I got into doing that again; I just kept watching action movies and taking notes on what theyâre about and on what the governing plots and tropes and styles are. It was very much like an immersion method acting technique.â
The resulting performance is Bleed Out, a cinematic experience unto itself. One song about preparing to exact bloody revenge begat another song about the act of exacting bloody revenge and then more songs about and the causes and the aftermath of being driven to exact bloody revenge, each delivered with the urgency and desperation deserving of their narrators and circumstances. âWe often make a record and then bring in some guests who flesh out the textures,â Darnielle says. âAnd for this one, it was very much like a pack mentality. That sort of seemed to proceed from the songs.â One new face was that of Bullyâs Alicia Bognanno, recommended to Darnielle by his manager as a producer who could help nurture the rougher edged sound these songs requested. âWe met up and hit it off. Sheâs a great guitarist. It was kind of just a lark, to see what would happen, and it was totally great.â
Running narrative themes are not new to Mountain Goats projects, especially in recent years, be it the pro wrestlers of 2015âs Beat the Champ or the goths of 2017âs Goths. Darnielle was drawn to the antiheroes of the hard-boiled action flicks he was bingeing, particularly the ways in which their quests for justice were almost all inevitably doomed.
Bleed Out could be all one movie, from the opening training montage to the demise in the elegiac closing title track. Songs like âMake You Suffer,â âFirst Blood,â âHostages,â and âNeed More Bandagesâ do what they say on the tin, telling typically vivid, deliberately recognizable vignettes of desperate characters in no-win situations who plan on taking as many people down with them as they have to. But Darnielle sees these as unconnected stories that feel universal in their desire for justice, if not in their wanton bloodshed. Anthems donât get more straightforward or anthem-y than âWage Wars Get Rich Die Handsome,â tapping into an anger thatâs easy to reach in 2022, even if the solutions arenât.
Few people think as much, or as well, about violence and its portrayal as John Darnielle. His recent bestselling novel Devil House (his third) is all about the relationship between tragedy and entertainment, though he is careful to downplay any parallels to Bleed Out beyond a natural attraction to terrible things as a coping mechanism. âThatâs what catharsis is,â he says. âWhen you are able to experience something that is frightening to you but you donât have to be harmed by it that experience is really valuable. I think weâre reflecting on the nature of what we consume and of what it says about us.â
Tracklist
SIDE A
1 Training Montage
2 Mark on You
3 Wage Wars Get Rich Die Handsome
4 Extraction Point
SIDE B
5 Bones Donât Rust
6 First Blood
7 Make You Suffer
8 Guys on Every Corner
SIDE C
9 Hostages
10 Need More Bandages
SIDE D
11 Incandescent Ruins
12 Bleed Out
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Description
Product Info
Limited 2LP : Yellow Vinyl
More Info
Maybe you are just like John Darnielle: In the depths of the pandemic end of 2020, the Mountain Goats frontman passed the time trapped at home watching pulpy action movies, finding comfort in familiar tropes and sofabound escapism. But you are not really like John Darnielle, unless the action movies you found comfort in included French thrillers like 2008âs Mesrine, vintage Italian poliziotteschi, or the 1974 Donald Pleasence mad-scientist vehicle The Freakmaker. Or unless watching them brought you back to your formative days as an artist, when watching films fueled and soundtracked your songwriting jags and bare-bones home recordings and in turn inspired your 20th album to be a song cycle about the allure and futility of vengeance. But thereâs no shame in not being like John Darnielle; few people are.
âOn earlier tapes youâll find these sound samples,â Darnielle says. ââOh, whereâs this sample from?â Itâs from whatever movie I was watching while I was sitting around on the couch with a guitar. I watch a movie, somebodyâd say something that I like the sound of and Iâll write that phrase down. And then I would pause the VHS, write the song, record the song on a boombox, and go back to watching my movie. I got into doing that again; I just kept watching action movies and taking notes on what theyâre about and on what the governing plots and tropes and styles are. It was very much like an immersion method acting technique.â
The resulting performance is Bleed Out, a cinematic experience unto itself. One song about preparing to exact bloody revenge begat another song about the act of exacting bloody revenge and then more songs about and the causes and the aftermath of being driven to exact bloody revenge, each delivered with the urgency and desperation deserving of their narrators and circumstances. âWe often make a record and then bring in some guests who flesh out the textures,â Darnielle says. âAnd for this one, it was very much like a pack mentality. That sort of seemed to proceed from the songs.â One new face was that of Bullyâs Alicia Bognanno, recommended to Darnielle by his manager as a producer who could help nurture the rougher edged sound these songs requested. âWe met up and hit it off. Sheâs a great guitarist. It was kind of just a lark, to see what would happen, and it was totally great.â
Running narrative themes are not new to Mountain Goats projects, especially in recent years, be it the pro wrestlers of 2015âs Beat the Champ or the goths of 2017âs Goths. Darnielle was drawn to the antiheroes of the hard-boiled action flicks he was bingeing, particularly the ways in which their quests for justice were almost all inevitably doomed.
Bleed Out could be all one movie, from the opening training montage to the demise in the elegiac closing title track. Songs like âMake You Suffer,â âFirst Blood,â âHostages,â and âNeed More Bandagesâ do what they say on the tin, telling typically vivid, deliberately recognizable vignettes of desperate characters in no-win situations who plan on taking as many people down with them as they have to. But Darnielle sees these as unconnected stories that feel universal in their desire for justice, if not in their wanton bloodshed. Anthems donât get more straightforward or anthem-y than âWage Wars Get Rich Die Handsome,â tapping into an anger thatâs easy to reach in 2022, even if the solutions arenât.
Few people think as much, or as well, about violence and its portrayal as John Darnielle. His recent bestselling novel Devil House (his third) is all about the relationship between tragedy and entertainment, though he is careful to downplay any parallels to Bleed Out beyond a natural attraction to terrible things as a coping mechanism. âThatâs what catharsis is,â he says. âWhen you are able to experience something that is frightening to you but you donât have to be harmed by it that experience is really valuable. I think weâre reflecting on the nature of what we consume and of what it says about us.â
Tracklist
SIDE A
1 Training Montage
2 Mark on You
3 Wage Wars Get Rich Die Handsome
4 Extraction Point
SIDE B
5 Bones Donât Rust
6 First Blood
7 Make You Suffer
8 Guys on Every Corner
SIDE C
9 Hostages
10 Need More Bandages
SIDE D
11 Incandescent Ruins
12 Bleed Out









