
2X1=4
F.S.Blumm and Nils Frahm have confirmed details of their fourth collaborative album, 2X1=4, which will be released on September 3, 2021, by LEITER, the new label formed by Frahm and his manager, Felix Grimm. The seven-track album finds the duo unexpectedly exploring a dub influenced universe, though in truth itâs one already familiar to both. F.S.Blumm, for instance, is co-founder of Quasi Dub Development, whose 2014 album, Little-Twister vs Stiff-Neck, featured Lady Ann and Lee Scratch Perry, while Frahmâs music â not least 2018âs All Melody â has occasionally betrayed a fondness for the formâs associated studio techniques, though he concedes wryly that his approach has always been âa little bit more Germanâ than his influences.
F.S.Blumm, a revered mainstay of the German underground for over two decades, and Nils Frahm, whoâs enjoyed significant success in recent years with his ground-breaking compositions for piano and synths, first met in the early 2000s. Frahm was a big fan of Blummâs 2001 album, Mondkuchen â he refers to his fellow Berlin resident admiringly these days as âa vital brick in the Berlin Wallâ â while Blumm was soon dazzled by Frahmâs studio set up. âCompared to mine,â he says, âit was like a space ship!â Soon they were working together on a variety of projects â including theatre pieces and animated films â and by 2010 theyâd released their first collaborative album, Music For Lovers Music Versus Time. A second, Music For Wobbling Music Versus Gravity, followed in 2013, and a third, Tag Eins Tag Zwei, in 2016.
2X1=4 is very different to its predecessors, but its final track, âNeckrubâ, first took shape as they wound up work on Tag Eins Tag Zwei. âWe had a certain sound in the back of our heads,â Blumm recalls, âwhich was influenced by these 80s rhythm machines, and we suddenly discovered a common love for dub.â Most of the new album, therefore, was initially developed in
2016 during improvisation sessions recorded by Frahm to two-track cassette. âIt was like we were running a combine harvester,â Blumm laughs, âso we could write our names on a single grain!â Afterwards, they worked on editing and overdubs in Frahmâs new studio at Berlinâs legendary Funkhaus. âWe kept on making new songs out of these sessions and starting over and over again,â Frahm smiles. âIt was a process that was time consuming but really fun.â Not that either of them is eager to claim a purist approach. âI love ending up somewhere where Iâm surprised by myself or the machine or the person with whom Iâm making music,â Blumm concludes, while Frahm emphasises that, âNone of this is too serious. The record is only as much of a dub record as the ones before are jazz recordsâŠâ
Tracklist
- DESERT MULE
- PRESIDENTIAL TUB
- PUDDLE DROP
- BUDDY HOP
- SARAH & EVE
- RAW CHEF
- NECKRUB
Soundwave
https://youtu.be/6-3S-cBQn7s
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Description
F.S.Blumm and Nils Frahm have confirmed details of their fourth collaborative album, 2X1=4, which will be released on September 3, 2021, by LEITER, the new label formed by Frahm and his manager, Felix Grimm. The seven-track album finds the duo unexpectedly exploring a dub influenced universe, though in truth itâs one already familiar to both. F.S.Blumm, for instance, is co-founder of Quasi Dub Development, whose 2014 album, Little-Twister vs Stiff-Neck, featured Lady Ann and Lee Scratch Perry, while Frahmâs music â not least 2018âs All Melody â has occasionally betrayed a fondness for the formâs associated studio techniques, though he concedes wryly that his approach has always been âa little bit more Germanâ than his influences.
F.S.Blumm, a revered mainstay of the German underground for over two decades, and Nils Frahm, whoâs enjoyed significant success in recent years with his ground-breaking compositions for piano and synths, first met in the early 2000s. Frahm was a big fan of Blummâs 2001 album, Mondkuchen â he refers to his fellow Berlin resident admiringly these days as âa vital brick in the Berlin Wallâ â while Blumm was soon dazzled by Frahmâs studio set up. âCompared to mine,â he says, âit was like a space ship!â Soon they were working together on a variety of projects â including theatre pieces and animated films â and by 2010 theyâd released their first collaborative album, Music For Lovers Music Versus Time. A second, Music For Wobbling Music Versus Gravity, followed in 2013, and a third, Tag Eins Tag Zwei, in 2016.
2X1=4 is very different to its predecessors, but its final track, âNeckrubâ, first took shape as they wound up work on Tag Eins Tag Zwei. âWe had a certain sound in the back of our heads,â Blumm recalls, âwhich was influenced by these 80s rhythm machines, and we suddenly discovered a common love for dub.â Most of the new album, therefore, was initially developed in
2016 during improvisation sessions recorded by Frahm to two-track cassette. âIt was like we were running a combine harvester,â Blumm laughs, âso we could write our names on a single grain!â Afterwards, they worked on editing and overdubs in Frahmâs new studio at Berlinâs legendary Funkhaus. âWe kept on making new songs out of these sessions and starting over and over again,â Frahm smiles. âIt was a process that was time consuming but really fun.â Not that either of them is eager to claim a purist approach. âI love ending up somewhere where Iâm surprised by myself or the machine or the person with whom Iâm making music,â Blumm concludes, while Frahm emphasises that, âNone of this is too serious. The record is only as much of a dub record as the ones before are jazz recordsâŠâ
Tracklist
- DESERT MULE
- PRESIDENTIAL TUB
- PUDDLE DROP
- BUDDY HOP
- SARAH & EVE
- RAW CHEF
- NECKRUB
Soundwave
https://youtu.be/6-3S-cBQn7s











